Welcome to a tiny glimpse into your future, the rest of America.
Here in Massachusetts, we've been lucky enough to beta-test the individual mandate of Obamacare. Unlike what you've been told, however, it isn't simply a matter of carrying insurance, or even of proving that you carry minimal creditable coverage; that proof needs to be transferred from the government-mandated form you receive from your insurance provider -- at what cost, I can only imagine -- to the government-mandated IRS form. It's just a little exercise in toleration for you.
So, what's the problem with a little more paperwork if it means that everyone in this wealthiest of nations gets access to excellent healthcare, right? Oh. Then, that everyone gets access to decent healthcare? Oh. Then, that everyone gets access to a company that bargains with providers for mandated services? Oh, I mean, then . . . who gets what for my hassle, exactly?
But it's simple enough, right? I mean, we're not trying to get away with anything here. We appreciate the fact that we can pay oodles of money to hedge against the possibility of going bankrupt over potential health issues. We really do. But we did before Obamacare was an epithet.
So why does the IRS need to know? Well, the magic of universal healthcare only works through government force, and the IRS is the agency through which government forces everyone. Equally. Right?
What's worse than being forced to pay for everyone's misnamed "health care" coverage? As we recently discovered, the IRS needs to know not only about the existence of your coverage, but also that you can repeat this information wherever and whenever asked by them. But say you're a dependent and the people who claimed you as such already provided the IRS with your SS# and your proof of your coverage? So what! Before your tax return is processed "you will be assessed a Health Care penalty which could be as much as $1260.00 per taxpayer" if you don't resubmit that same information already submitted to them within 30 days of the IRS receiving your request for a return of your money that you overpaid to the government according to their own inscrutable formulas.
Now breathe.
Inasmuch as I enjoy reading a threatening letter from the IRS to my first-time filer teenage daughter, the fact that this was from the Data Integration Bureau of the Massachusetts IRS, and my daughter's data was already filed (by SS#) as having MMC (oh yes, I can use that acronym now because after much upset including research and yelling, we've learned how to be fucking financial forensic attorneys in order to understand what my daughter did wrong in reporting her $6K of earnings), is simply the icing on this bureaucratic shit cake. (I am still also free to say that. The last time I checked, anyway.)
So, there is a lesson in there, people.
Be careful what you ask the government for, because you, your children, their children, and so on, will reap the benefits of your institutionalizing government power grabs for the foreseeable future.
And then some.
Oh, and while I may be able to sleep better at night knowing my daughter is financially covered for catastrophic health problems, no one benefits from twice-tracking her coverage except maybe the bureaucrats who spend their days threatening teenagers with the force of the federal government behind them.
Thursday, May 16, 2013
Monday, April 22, 2013
Thursday, April 11, 2013
Lean Forward and Twist
Melissa Harris Perry wants us to know that our children belong
to the whole community. When her MSNBC Lean Forward ad got some flack, Ms. Harris
Perry went on to explain what she really meant.
She wants you to know that your Tulane student belongs to
her because she does her job of correcting their papers (for which she is paid
handsomely, no doubt) and does not send the papers back to you to correct. Of course, she jests about this part, but she further explores where she got the idea
that everyone’s children belong to everyone – beyond that antiquated notion that
their parents are responsible for them. Because her parents volunteered for a non-profit
daycare center and spent time as a community basketball league coach
while her third grade teacher went that extra mile for her, Ms. Harris Perry reports that they taught her about collective responsibility. All she wants is for all kids to grow up without
fear and she feels we can do that through a collective responsibility for them. No apologies.
What she neglects to address is what her parent’s
volunteerism, her job performance, and her third grade teacher’s extra efforts
has to do with the force of government. She doesn’t explain why state intervention is necessary in order
to help children achieve success in life. She does drop this gem – that she also
learned collective responsibility from her elderly neighbors who pay their
taxes without complaint.
The best twist in this most heinous of all collectivist
ideas occurs when she leans forward to mind-meld with her anti-abortion colleagues:
Those people who truly believe that the potential life inherent in a fetus is equivalent to the actualized life of an infant have argued that the community has a distinct interest in children no matter what the mother’s and father’s interests or needs. So while we come down on different sides of the choice issue, we agree that kids are not the property of their parents. Their lives matter to all of us.
In this connection she has identified the problems with both the right and the left: statism. Both parties act as if individuals are unable to make their own choices from reproduction, through the education of their children, to what to eat, who to
marry, and how to die without government intervention. Both group vie for the protection of their favored voting blocks always at the expense of individual rights.
And as far as frightening thought goes, Ms. Harris Perry well knows that government
control of the lives of children is not a progressive idea, but an ancient one espoused by the most murderous tyrants in history.
Labels:
adults behaving badly,
force of government
Tuesday, March 12, 2013
Wistful Pop
It’s been a while since I've obsessed over a song; released
in January 2006, this
song is over seven years old and yet new to me. From a little black-berrying by my husband
regarding the singer Neil Hannon, of the Divine Comedy, to God
Help the Girl, a
story set to music project by Stuart Murdoch of Belle & Sebastian,
a Scottish indie-pop group, Funny Little Frog is
a little bit of musical magic.
Okay, I'm a sucker for its particular mix of nostalgia, romance,
innocence, and sweet sensuality.
First of all, it sounds like it's out of the early
seventies with its string orchestration and simple, but sing-a-along-compelling
arpeggio chorus. Then there are the
words – clearly written for a man to sing, but the singer (in the video) works
it well. In fact, maybe that's why it works.
Honey, lovin' you is the
greatest thing,
I get to be myself and I get to sing,
I get to play at being irresponsible,
I come home late and love your soul,
I never forget you in my prayers,
I never have a bad thing to report.
You're my picture on the wall.
You're my vision in the hall,
You're the one I'm talking to,
When I get in from my work,
You are my girl, and you don't even know it,
And you're the funny little frog in my throat.
My eyesight's fading, my hearing's dim,
I can't get insured for the state I'm in,
I'm a danger to myself I've been starting fights,
At the party at the club on a Saturday night,
But I don't get disapproving from my girl,
She gets all the highlights wrapped in pearls.
You're my picture on the wall.
You're my vision in the hall,
You're the one I'm talking to,
When I get in from my work,
You are my girl, and you don't even know it,
I am living out the life of a poet,
I am the jester in the ancient court,
And you're the funny little frog in my throat.
Had a conversation with you last night,
It was a little one-sided but that's alright,
I tell you in the kitchen about my day,
You sit on the bed in the dark changing places,
With the ghost that was there before you came,
You've come to save my life again.
I don't dare to touch your hand,
I don't dare to think of you,
In a physical way,
And I don't know how you smell,
You are the cover of a magazine,
You're my fashion tip, a living museum,
I'd pay to visit you on rainy Sundays,
And maybe tell you all about it, someday.
I get to be myself and I get to sing,
I get to play at being irresponsible,
I come home late and love your soul,
I never forget you in my prayers,
I never have a bad thing to report.
You're my picture on the wall.
You're my vision in the hall,
You're the one I'm talking to,
When I get in from my work,
You are my girl, and you don't even know it,
And you're the funny little frog in my throat.
My eyesight's fading, my hearing's dim,
I can't get insured for the state I'm in,
I'm a danger to myself I've been starting fights,
At the party at the club on a Saturday night,
But I don't get disapproving from my girl,
She gets all the highlights wrapped in pearls.
You're my picture on the wall.
You're my vision in the hall,
You're the one I'm talking to,
When I get in from my work,
You are my girl, and you don't even know it,
I am living out the life of a poet,
I am the jester in the ancient court,
And you're the funny little frog in my throat.
Had a conversation with you last night,
It was a little one-sided but that's alright,
I tell you in the kitchen about my day,
You sit on the bed in the dark changing places,
With the ghost that was there before you came,
You've come to save my life again.
I don't dare to touch your hand,
I don't dare to think of you,
In a physical way,
And I don't know how you smell,
You are the cover of a magazine,
You're my fashion tip, a living museum,
I'd pay to visit you on rainy Sundays,
And maybe tell you all about it, someday.
Past the Victorian mind-body dichotomy expressed, I think this song is a tiny condensation of the inspirational power and
real hope offered to the lover in an unrequited love because the singer
acknowledges it for what it is.
And because it's
tough to be dark against that melody.
Monday, November 26, 2012
3 Good Things (Wearable Maps edition)
Two dimensional representations of our three dimensional world have long fascinated me. This year I'm seeing a few noteworthy additions to the map world in a fashion item I've long ignored: jewelry. I still don't care too much for jewelry, but the following finds would make awesome gifts for map geek girl (or guy) in your life.
1. Urban Gridded Earrings (or Necklace) by Aminimal Studios.
1. Urban Gridded Earrings (or Necklace) by Aminimal Studios.
2. Subway Map Cuffs by Design Hype
3. And if you're more interested in the path you've taken, Meshu allows you to turn your tours or special places into interesting bits of abstract wearable art. I love it!
Check out how it looks in its facet and radial gallery here.
Labels:
3 Good Things,
a few of my favorite things,
Fashion
Friday, November 9, 2012
The Coming American
by Samuel Walter Foss (1894)
Bring me men to match my mountains;
Bring me men to match my plains, --
Men with empires in their purpose,
And new eras in their brains.
Bring me men to match my praries,
Men to match my inland seas,
Men whose thought shall pave a highway
Up to ampler destinies;
Pioneers to clear Thought's marshlands,
And to cleanse old Error's fen;
Bring me men to match my mountains --
Bring me men!
Bring me men to match my forests,
Strong to fight the storm and blast,
Branching toward the skyey future,
Rooted in the fertile past.
Bring me men to match my valleys,
Tolerant of sun and snow,
Men within whose fruitful purpose
Time's consummate blooms shall grow.
Men to tame the tigerish instincts
Of the lair and cave and den,
Cleans the dragon slime of Nature --
Bring me men!
Bring me men to match my rivers,
Continent cleavers, flowing free,
Drawn by the eternal madness
To be mingled with the sea;
Men of oceanic impulse,
Men whose moral currents sweep
Toward the wide-enfolding ocean
Of an undiscovered deep;
Men who feel the strong pulsation
Of the Central Sea, and then
Time their currents to its earth throb --
Bring me men!
Bring me men to match my mountains;
Bring me men to match my plains, --
Men with empires in their purpose,
And new eras in their brains.
Bring me men to match my praries,
Men to match my inland seas,
Men whose thought shall pave a highway
Up to ampler destinies;
Pioneers to clear Thought's marshlands,
And to cleanse old Error's fen;
Bring me men to match my mountains --
Bring me men!
Bring me men to match my forests,
Strong to fight the storm and blast,
Branching toward the skyey future,
Rooted in the fertile past.
Bring me men to match my valleys,
Tolerant of sun and snow,
Men within whose fruitful purpose
Time's consummate blooms shall grow.
Men to tame the tigerish instincts
Of the lair and cave and den,
Cleans the dragon slime of Nature --
Bring me men!
Bring me men to match my rivers,
Continent cleavers, flowing free,
Drawn by the eternal madness
To be mingled with the sea;
Men of oceanic impulse,
Men whose moral currents sweep
Toward the wide-enfolding ocean
Of an undiscovered deep;
Men who feel the strong pulsation
Of the Central Sea, and then
Time their currents to its earth throb --
Bring me men!
Thursday, November 8, 2012
Disgusting.
This juxtaposition of maps (top of the 2012 election results vs. bottom, the slave vs. free states prior to the Civil War) implies that the people in red states
voted with the collective-vestigial mind of the ante-bellum south: the idea
that a vote for “not Obama” is the equivalent of thinking that blacks should
still be slaves. Perpetuating this image as a "stop and think about it" moment is not only a bit dismissive, but further, a serious slander of near half
of the population of the United States.
What might have been a funny quip based on image correlation is shamelessly offered as causation; this conveniently furthers the hateful narrative that people who don’t think Barack Obama is a good President are racist.
I’m not racist. I’m disgusted.
Labels:
adults behaving badly,
character,
POTUS
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